Looking out my office window
Month: March 2011
I’ve hit my saturation point with all the filmmaker tweets – time to prune some follows…
I’ve hit my saturation point with all the filmmaker tweets – time to prune some follows…
I am a photographer because I can be nothing else
I am a photographer because I can be nothing else
A decisive weather moment
Zack Arias (@zarias) on Chase Jarvis Live
Work For Free or Full Price, Never For Cheap
Transform :: A short film for www.ScottKelby.com (by usedfilm) When you feel like giving up on your
Transform :: A short film for www.ScottKelby.com (by usedfilm)
When you feel like giving up on your work, realize you’re not alone – we all go through these phases.
An Interview with Philip Bloom, DSLR Filmaking its past and its future. Philip Bloom’s though
An Interview with Philip Bloom, DSLR Filmaking its past and its future.
Philip Bloom’s thoughts and experiences around the culture of shooting with HDSLR’s is insightful. One of the best interviews I’ve heard that explains just how DSLRs came into where they are today for independent digital filmmaking.
Love the closing statement: “The image quality is just too damn sexy to disappear”.
‘nuff said
“…the filmmaking community (the artists, the business folk, the curators & promoters, the appreciators & fans) have to embrace that we are in a seismic shift to an artist-centric collaboration with the audience and away from the corporate controlled supply & attention.” Read the full posting here
Shane Hurlbut, ASC “Canon’s 5D HDSLR cameras and Adobe Premiere Pro CS5 are placing power back into the hands of the filmmaker,” says Hurlbut. “These are the most liberating, inspiring, and empowering tools that have come around for decades. From color fidelity to helping generate a more filmic look and increasing productivity, Adobe and Canon 5D HDSLR technologies are a genuine breakthrough.” Read Full Article here
Once you cut on Adobe Premiere Pro CS5, you never go back